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"Nothing," replied the old man. "I fell down and spilled my arrows, and I am putting them back.",

"Send down to the Farm, and I will give you some brandy," says Mona to a woman standing by, after a lengthened gaze at the prostrate form of Kitty, who makes no sign of life. "She wants it." Laying her hand on Kitty's shoulder, she shakes her gently. "Rouse yourself," she says, kindly, yet with energy. "Try to think of something,—anything except your cruel misfortune.",

"It is terrible, terrible," says Mona, piteously sinking on her knees beside the bed. One of his hands is lying outside the coverlet, and, with a gesture full of tender regret, she lays her own upon it.,

"Have you ever read Shelley?" asks he, presently, puzzled by the extreme serenity of her manner.

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At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name.,

Every flower has opened wide its pretty eye, because the sun, that so long has been a stranger, has returned to them, and is gazing down upon them with ardent love. They—fond nurslings of an hour—accept his tardy attentions, and, though, still chilled and desolee because of the sad touches of winter that still remain, gaze with rapt admiration at the great Ph[oe]bus, as he sits enthroned above.,

"No; on my word, no," says Nolly, choking with laughter, in which he is joined by all but Mona. "She said all that, and lots more!",

"It is like a romaunt of the earlier and purer days of chivalry," goes on Lady Lilias, in her most prosy tone. "Alas! where are they now?" She pauses for an answer to this difficult question, being in her very loftiest strain of high art depression.